| Vampire Magazine Interview Morifade is a swedish metal band (from Vikingstad, what's in a name). They just released their second full length album "Imaginarium" worldwide on Hammerheart Records. From the bio of Hammerheart it says that Morifade makes epic, symphonic power metal with a touch of progressive elements. The band is very ambitious in a healthy way. Their drive is shown for example by the way they responded to our questions (fast!). The word is up to Henrik Weimedal; bass player, one of the main songwriters and already a member since 1992, the same year the band was formed. First of all: the band
is presented as "a new approach to melodic power metal". A
promising slogan, yet it is an open invitation for the band to explain
what they mean by that... Speaking of influences:
I read an interview in which was stated that the band was mainly influenced
by Helloween, and that Henrik's personal favorites were Iron Maiden/Steve
Harris... Listening to the album I feel that that some melodic rock
must have had some influence too. What do these influences come down
to? It is known that compared
to other countries in the world, the Swedish government creates good
facilities for local musicians, also in rock music. The Morifade-musicians,
but also of other Swedish bands (for instance Silver Seraph, whom I
reviewed in March too), sound very skilled at their instruments. To
what extend can this be explained by that government policy? About the review on the
Vampire site. Is there anything Henrik wants to say to this? (well, that is the hard part about personal taste; I would advise everyone to make up their own mind and at least listen to the album, because, as I wrote, "People who are really into this sort of music should try this one out). The title of that album is of course Imaginarium, a brand new word to me. There is also no song on the album which is called that way, so I went further into that. Lost Within The Shade seems to be the pseudo title track of the album; the word “Imaginarium” is used in this song. The song reflects the world of a drug user (and in my opinion that is what the word Imaginarium might mean): How did you come to this word (Imaginarium) to use it as the title for your album? And: In the respect of Imaginarium as being the world (imaginary aquarium?) for a drug user it might be a bit negative word (as a word in general, not specific to drug users) as a title considering the music you make; what is your opinion on that? On the question whether
Imaginarium was meant as a junction of the words "Imaginary"
and "Aquarium" in case of the song "Lost Within A Shade"
Henrik has to say the following: Speaking about that conjunction;
In an interview with Metalfan (March 2000, a dutch site) bass player
Henrik stated that the band name did not have a real meaning, but was
made of two words that sounded good; could those words have been Mori
(die in latin, as in Memento Mori) and the English verb to fade; like
to fade into death? Compliments on the artwork
of the album and its layout (like spreading the special thanks of every
band-member across the booklet to avoid an endless thanks list on the
last page which is seen very often). What more can you tell about that? Producer of the album was
Andy La Rocque (Kind Diamond, Death - personally, I did not even know
that Andy had ever been in Death - John). Considering that background,
what made him the right man for the job? (like I don’t see little
resemblance with King Diamond, let alone Death). That previous label was
Loud and Proud, with which they broke up immediately with that label
after recoring their previous MCD Cast a Spell and a cover for the Helloween
tribute "The Keepers of Jericho" ("Judas", released
by Arise Records). Finally they signed a one record deal for dutch label
Hammerheart. What can you say about that? The album has now officially
been out since April 8th; How is everything going according to the expectations
(sales, reactions from fans and press, etcetera)? Apart from the artwork
the band shows a lot of ambition, considering the ads in all important
magazines (according to the bio from Hammerheart): What are Morifade’s
ambitions, for now and in the future? Marketwise? And what about some new
material? If you could name three
albums from the last year in the genre to which Morifade counts itself;
apart from Imaginarium of course, which three albums/band from that
year would you pick as the highlights? Thank you very much for
your answers and time and good luck on Imaginarium and the future of
Morifade? Any last words? Interview by John |